Tag Archives: Jazz Testolini

brick wall

False start? Not even!

On October 17, I posted the following on my Facebook fan page:

Wow. Wrote a screenplay last month and suddenly I find myself (with amazing teammates, thank goodness) producing and starring in a short film from it! We’re shooting next month. 

Lesson: incredible things happen when you learn what to say “yes” and “no” to ;)

Background info: with the support of my good friends Kerron Schullere, Sagine Semajuste, Jazz Testolini, and others, I wrote a screenplay in September and cast a bunch of my homies in it (including those three), with the intention of shooting the project next year when I come back from Dubai. Then some awesome things happened and even more amazing people appeared and a whole huge shower of encouragement and motivation and optimism fell out of the sky, and before I knew it we were on track to submit for a first-time filmmakers’ mentorship program this week, receive our yea/nay verdict next week, finish shooting by November 21st, and possibly/probably have our premiere in April 2014 at the ReelWorld Film Festival.

Awesome, right?!

Answers to tough questions were found, pathways were dug around and under and through obstacles, and this film was so close to becoming a reality that I was astonished. My reason for that Facebook post was the realization that saying “yes” to one possibility had bred even more possibilities, and aside from saying “no” to fear and doubt I was also saying “no” to other good things that I could be doing with the time and energy and resources already being invested into the film. After all, if I spend an hour itemizing the props needed for the shoot, that’s an hour that was not spent doing some other activity. That isn’t a noble sacrifice or a painful tradeoff; it’s the logical result of there only being 24 hours in a day.

Well, it’s a good thing I got used to this aspect of saying “no,” because just yesterday my main partner in crime Kerron and I decided to postpone the project. It isn’t dead, and really it isn’t even taking a nap — trust me, there’s still a whoooole lot of prep work to do! We decided, however, to say “no” to the upcoming deadline and how cool it would feel to say that it took only ten weeks to write, cast, rehearse, prep and shoot the whole thing. And in so doing, we’re saying “yes” to an even awesomer final product. (Yes, “awesomer” is a thing now. Trust me. You can start saying it too.)

It felt a little weird to realize that while I thought I had been posting this for other people to learn from, it ended up being advice from myself to myself. Thanks for the insight, Chattrisse-of-last-week =)

So stay tuned! And feel free to share your own stories of saying no to something you wanted, and whether or not you ended up with something even better!!

Me, Taylor Evans and Jazz Testolini backstage at The Opera House. I adore singing with these two!

I really would love to be part of a group …

Remember doing group work in school?

Yeah. I couldn’t stand it. I felt like I was always the student who did more than her share of work because someone had to overcompensate for the people who weren’t motivated by good grades or high achievement. (And for the record, no, good grades aren’t everything. But in school, they’re the main measuring tool. I was usually upset to receive anything lower than 90%.)

So any time the idea of singing in a group came up, I was quick to dismiss it. I grew up LOVING vocal groups like TLC and Boyz II Men, and still do, but I couldn’t picture myself as a member of a group. Chattrisse, in my mind, was a solo act. A one-woman success story. My African name at the time was Zenzele, which translates to “she will do it herself,” and I really wasn’t looking for any company onstage. Having to deal with multiple egos and personalities, running the risk of becoming a backup performer while the lead singer hogs the spotlight, and then having to split the paycheque between two or three or five people on top of all that??? No thanks.

I guess back then I still believed that you could do big, huge, world-shaking, record-breakingly awesome things on your own. And the further away I get from my school years and their haunting memories of “group” “work,” the more I realize that having a team not only makes most goals more easily attainable, it also lets you have way more fun along the way.

For example, I did a theatre tour earlier this year with two fellow cast members, and the energy we brought to the stage when all three of us were “on” was awesome. The backstage hijinks were also way more fun than if I were just noticing something funny with no one to share it with. And when one of us was feeling sick or extra tired, there were two other people there who could lend extra support. (Shoutout to Madeleine Jullian and Phil Poirier, I had a blast!)

Madeleine/Mollie, Chattrisse/Puppareena, Phil/Twitter - our last show

Madeleine/Mollie, Chattrisse/Puppareena, Phil/Twitter – our last show

Have you ever danced a solo? I’m still slightly terrified of that (working on it). But dancing that same piece with two other performers feels wicked! And honestly, as a singer, one of the best sounds in the world is your voice harmonizing with other voices.

So while I haven’t completely changed my mind about being in a group … for example, I’m not seeking group members and if I were I would try to create something where all the performers share the spotlight, taking turns singing lead on different singles … I’m not totally opposed to it anymore. It might be fun. It might be a ton of fun. And if it doesn’t work out, leaving a group has been a great launch to a solo career for lots of people.  ;-)

Oh, I almost forgot: the picture up top is of me, Taylor Evans and Jazz Testolini backstage at The Opera House. I adore singing with these two! I don’t know how long we’d last as a group though, lol! xoxo