Monthly Archives: March 2019

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Reflections on a Very Artsy Weekend

Wow.

This past week was super-tiring. The week coming up will probably be equally tiring, for different reasons. So I’m proud and gratified that I made/took/created time for a variety of artistic pursuits in between, especially in the last 48 hours or so.

Friday night I came home from work and watched one of my fave films with Dad: The Devil Wears Prada. It’s so well-done, and it’s held up really nicely over time (can you believe it’s 13 years old?!), and since I’ve only watched clips of it lately (thank you, Lessons from the Screenplay; thank you, Dylan is in Trouble) it felt good to take the whole thing in.

Saturday I spent basically the entire day at the Canadian Film Fest, which is such a fun, well-organized event that I’m astonished I’ve never been to it until this year! Over the three screenings I attended I was able to watch 20 short films and a feature, projects that some of my friends and acquaintances were part of won awards, and neither my tiredness (nor my bummed-out-ness at not having won the $10,000 prize I was hoping for as one of the Top Ten Semifinalists for their Script Contest) were enough to keep me from the afterparty, which I THOROUGHLY enjoyed. (That’s in all caps because it’s surprising; normally I’m super awkward or even bored at industry parties.) My boyfriend and I had some great conversations, only about half of which concerned filmmaking and storytelling and art, and I was reminded that I’m still on the right track even when I don’t feel like I am — plus, I was inspired to add a new tidbit to that same Top Ten screenplay.

Right before I left for church this morning, a neighbour of mine tipped me off that today is the last day to see Femmes Noires, the stirring Mickalene Thomas exhibit at the AGO. I made my way there after services despite the dozen tasks already in my dayplanner, and I’m so deeply glad that I did. Femmes Noires reminded me that it’s really easy to overlook the celebration of black women’s bodies and the amplification of our voices unless you immerse yourself in work like this once in awhile — because our bodies are so often exposed and our voices routinely caricaturized. These are actually themes which show up in that same screenplay as well, so the timing of this visit was perfect. Also, out of the kindness of his heart and without me even asking, the gentleman who greeted me at the desk gave me a complimentary ticket! So I was smiling even before I checked my coat, and was happy to do a bit of shopping in the gift store on my way out. ;-)

I did just a little bit of writing a few hours later, adding to some thoughts on a new project which I’ll write either for TV or for film. And finally, though certainly not least,  literary art has been a big part of my weekend, as I’ve been keeping a promise I made to myself that I’ll read at least a few pages of a book (yes, it has to be paper held in my hands) every day. The Handmaid’s Tale has been getting most of my reading attention lately. So, from commercial film to indie film and indie filmmaking to visual (and audiovisual) art to the literary arts, I feel like I’ve really listened to that part of me who’s always asking to be immersed in the artistic world(s) this weekend. I might even carve out the time to play some piano before calling it a night.

And maybe all of that will make the upcoming week, which so far looks decidedly non-artsy, a little easier to handle.