Tag Archives: artists

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Oh, what a night . . . (lucky for you there are two more!)

You guys.

I am tired, footsore, slightly throatsore, and so deeply happy. (I know the pic doesn’t look like it, but we can go ahead and blame that on pre-show nerves.)

A few hours ago, I was performing in front of a live theatre audience for the first time in years. Though my songs and my scene were far from perfect, I’m extremely proud of what the cast and crew were able to pull off, grateful for the energy we received from the patrons, and excited to do it again three more times in the next 48 hours – phew!!

I’m yawning as I type  . . . and I’ve got an important audition tomorrow before reporting to the theatre . . . and it’ll take some time to redo my hair after my morning jog . . . so I’m going to sign off real soon! But let me make sure you have all the details you need before I go.

The show, presented by High Society Cabaret, is called The Silent Goodbye. As my burlesque alter ego, Isla Caine, I play an ambitious jazz singer named Lovey St Claire whose boss is the John Doe in a murder mystery set in 1930s Chicago. Not just for Lovey, but for the entire cast, this is a show full of wonderful characters and costumes, great music, and a surprising amount of emotional highs and lows as well as lots of laughs.

We’re at The Commons, 587A College St (upstairs) in Little Italy, across the street from Café Diplomatico. Tickets are $35 in advance or $45 if you pay at the door, and arts workers as well as sex workers may be able to take advantage of special pricing so contact me if you belong to either of those categories. You can click here to order your tickets for Friday May 24th at 8pm, Friday the 24th at 10:30pm, or Saturday May 25th at 8pm (almost sold out). Please do me a favour and answer, when asked, that you found out about the show from me, Chattrisse! =)

Here’s a sneak peek from rehearsal . . . now claim your ticket and come see the real deal! ;-)

*goes to bed, finally*

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Reflections on a Very Artsy Weekend

Wow.

This past week was super-tiring. The week coming up will probably be equally tiring, for different reasons. So I’m proud and gratified that I made/took/created time for a variety of artistic pursuits in between, especially in the last 48 hours or so.

Friday night I came home from work and watched one of my fave films with Dad: The Devil Wears Prada. It’s so well-done, and it’s held up really nicely over time (can you believe it’s 13 years old?!), and since I’ve only watched clips of it lately (thank you, Lessons from the Screenplay; thank you, Dylan is in Trouble) it felt good to take the whole thing in.

Saturday I spent basically the entire day at the Canadian Film Fest, which is such a fun, well-organized event that I’m astonished I’ve never been to it until this year! Over the three screenings I attended I was able to watch 20 short films and a feature, projects that some of my friends and acquaintances were part of won awards, and neither my tiredness (nor my bummed-out-ness at not having won the $10,000 prize I was hoping for as one of the Top Ten Semifinalists for their Script Contest) were enough to keep me from the afterparty, which I THOROUGHLY enjoyed. (That’s in all caps because it’s surprising; normally I’m super awkward or even bored at industry parties.) My boyfriend and I had some great conversations, only about half of which concerned filmmaking and storytelling and art, and I was reminded that I’m still on the right track even when I don’t feel like I am — plus, I was inspired to add a new tidbit to that same Top Ten screenplay.

Right before I left for church this morning, a neighbour of mine tipped me off that today is the last day to see Femmes Noires, the stirring Mickalene Thomas exhibit at the AGO. I made my way there after services despite the dozen tasks already in my dayplanner, and I’m so deeply glad that I did. Femmes Noires reminded me that it’s really easy to overlook the celebration of black women’s bodies and the amplification of our voices unless you immerse yourself in work like this once in awhile — because our bodies are so often exposed and our voices routinely caricaturized. These are actually themes which show up in that same screenplay as well, so the timing of this visit was perfect. Also, out of the kindness of his heart and without me even asking, the gentleman who greeted me at the desk gave me a complimentary ticket! So I was smiling even before I checked my coat, and was happy to do a bit of shopping in the gift store on my way out. ;-)

I did just a little bit of writing a few hours later, adding to some thoughts on a new project which I’ll write either for TV or for film. And finally, though certainly not least,  literary art has been a big part of my weekend, as I’ve been keeping a promise I made to myself that I’ll read at least a few pages of a book (yes, it has to be paper held in my hands) every day. The Handmaid’s Tale has been getting most of my reading attention lately. So, from commercial film to indie film and indie filmmaking to visual (and audiovisual) art to the literary arts, I feel like I’ve really listened to that part of me who’s always asking to be immersed in the artistic world(s) this weekend. I might even carve out the time to play some piano before calling it a night.

And maybe all of that will make the upcoming week, which so far looks decidedly non-artsy, a little easier to handle.

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What’s My “What’s My Line?”?

How’s that for an awkward-looking title?

Over the years, I’ve become very familiar with a group of folks who, although certainly famous in their day, probably aren’t well-known to anyone in my age group. Their banter was charming and laden with humour from the 1950s and 1960s – and while there are, naturally, many cringeworthy moments (which you could easily anticipate, as a socially conscious twenty-first-century viewer digging in the mid-twentieth-century crates), I love that they were quick to laugh at their own on-air mistakes, and some of my favourite moments to watch them in were thoroughly unscripted. Their names are Dorothy Kilgallen, Arlene Francis, Bennet Cerf, and John Daly – they were the primary panellists and the host, respectively, of the show “What’s My Line?” which Wikipedia tells me is the longest-running US primetime network television game show.

Here’s the thing: even though I’ve probably watched (or at least heard) hundreds of episodes, if it weren’t for the obligatory introductions at the beginning of each one I wouldn’t know much about the occupations of these four people, outside the show. Most of them, probably, first arrived on set seeing this show as either a new thing they hoped would go well, or a fun side gig, or maybe both; but I only know them as participants in this specific project.

I doubt any of them could have told you at the beginning that this would be the thing they were best known for forever after.

And that’s naturally got me thinking … what’s my personal version of this show? Is there something I’m involved in (or will be later) which will eventually overshadow everything else I’ve done, or will do? I’m very well aware that this is a case where knowing the answer would negate or ruin the question, but it’s an interesting thing to ponder just the same.

Although I see myself as a writer first and foremost; I doubt the rest of the world agrees with me so far, since so much of my career has been spent performing. Maybe, in a hundred years when I’m not physically here, I’ll be better known for something else entirely aside from arts and entertainment. Maybe the beginning of the 2118-version-of-Wikipedia entry about me will talk about my humanitarian work, or the awesome people I’ve helped to raise, or my abduction by and eventual return from a group of alien nomads who needed a human guinea pig. I don’t know at this point, and I shouldn’t know. And neither should any of us.

What I am sure of is that being aware of this question takes a huge amount of pressure off of me, and maybe you’ll feel the same way. All we can do right now is work on what we’re already working on, begin work on what we want to begin, and stay open to opportunities.

So I’ll continue to get more comfortable with having no idea what my “What’s My Line?” is, or is going to be. And with that … if you’ll excuse me, I’ve got some more writing to get back to. Because even if my writing does happen to be forgotten one day, that’s no excuse to slack off now ;-)

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Introducing . . . Isla Caine (Chattrisse does burlesque!)

Last fall, I saw a dear friend of mine (Cassidy) perform in a fabulous burlesque show created by another friend of mine (Knox). Many people think of burlesque as just a bunch of hot women taking their clothes off in front of a sleazy crowd and not much else, right? Not on Knox’s watch — this was a full-scale production with a plot, period costumes and props, music, interesting characters, incredible dancing and choreography and singing, and both women and men of diverse appearances — including body types — performing burlesque for a warm and responsive audience. I stood around afterward, talking to one or two dancers who’d performed for Knox before, and said that I was going to try out for one of her shows in 2018.

Necessary background info:

(1) I am a lifelong singer; I’ve been singing at home since forever and in public since I was six years old, although

(2) I still battle with shyness, and feel that none of my public performances have ever been as good as what I manage to pull off vocally when I’m alone at home

(3) For almost as long as I’ve been singing in public, I’ve been very self-conscious about my body, and this has been exacerbated by the fact that

(4) For nearly two full years, I’ve been recovering from a shoulder injury (really, two of them) and this has led to a deepening of my disappointment in, and disdain toward, my own body

(5) In addition to a slump in my dancing, it’s been quite awhile since I was onstage singing. Except for a guest spot in a Chris Birkett show last October, it honestly may be over a year now — I literally don’t remember.

And finally, (6) I am a born-again Christian who still many questions about reconciling God’s love, my gratitude for innumerable miracles including our own bodies, and the shame that many Western people, particularly women, are programmed to experience when we discuss or display our sexuality.

Where am I going with all this? Well, even though I had plenty of reasons to simply disregard my stated goal of auditioning for a burlesque show, I decided that they all boiled down to one: fear. I pulled that fear out of my head and held it in my hand, where I could get a good look at it and remind myself how much bigger than it I am and always will be. I weighed all six of the points listed above, and decided to go through with the audition. With Knox’s help, I created a new act starring a new character: Isla Caine.

“Isla” can be either “EESS-lah” (Spanish pronunciation) or “EYE-lah” (English pronunciation), depending on where she is and who she’s talking to . . . because if you know me personally, you know that my most-used skills throughout life have probably been reading, writing, speaking, and code-switching. “Caine” is mostly a nod to sugar cane, since I’m Caribbean and I can be very sweet. Isla Caine emphasizes some of the realest parts of Chattrisse. She has a soothing voice. You see her commanding personality when it comes to getting things done. She’s willing to appreciate her curves even if they aren’t all in the places where she’d like them to be yet. And in terms of fashion, the vibe she gives you is made up of Miranda Priestley (Meryl Streep’s character in The Devil Wears Prada), Michael Jackson’s Smooth Criminal ensemble, and a deep appreciation for jewel tones.

So I did it! On April 12th, I took the stage at Revival in a white suit over a black blouse, with smouldering eye makeup and a bright red lip. My hair was coiled into a bun and I wore my real-life oversized glasses. Before an audience of friends and cousins (but mostly strangers), I sang Diana Krall’s version of “Peel Me a Grape” while removing my blazer, blouse, pants, and elbow gloves. By the time I sashayed off the stage in my stilettos with my hair swinging back and forth across my shoulder blades, I was wearing only my matching aubergine bra and panties. And for once, no doubt because I was singing into a beautifully restored antique microphone, my voice sounded far better floating through the venue than it did it any of my at-home rehearsals.

Even before I was hugged by my people in the audience, or checked my phone to see a congratulatory message from a friend in Vancouver which contained a video clip of me onstage mere minutes earlier, or saw any of the pics or footage, I felt so good. I was so proud of myself for facing off against my nerves and fear and insecurities, and the feeling kept growing as I proudly watched Gin Kelly, another first-timer who I know from the world of acting, wow the crowd. Cassidy, who’s a pro at this, absolutely killed her set too. From what I was able to see, every woman and man who took the stage did themselves proud, and it felt incredible to be in the ring with them instead of watching from the sidelines.

On a very real level, if you aren’t learning you aren’t growing. One of my guiding principles (especially for this transition period I seem to still be in) is to keep learning, no matter what; otherwise I’ll have gone through an entire new season and have no growth to show for it. Creating and debuting Isla Caine has certainly taught and tested me, and while I haven’t decided yet how soon (or whether) I’ll bring her back out again, I’m truly glad to meet her and get to know myself a little better at the same time.

Thanks to Knox, Cassidy and all of the other Viva Italia performers, my family and friends who came, the sound guy whose name I forget right now but he’s super-cool, and to Hollywood Jade whose years of Urbanesque dance classes have helped me more than he knows.

Thanks also to photographer Ruth Gillson for the wonderful images! Speakeasy at Revival is a monthly event at 783 College St here in Toronto and if you’re looking for a fear to conquer, you may want to get in touch and ask to audition. Either way, check out one of their shows; I think you’ll be glad you did!

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xo

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What’s this season called?

I’m in a transition phase in my life … which is starting to sound kind of funny to me since I’ve been saying that for more than six months now. First it was time to leave my full-time day job, then I switched into a part-time evening one, then I had an audition drought (which was pretty annoying, since the job change had been prompted in part by my desire to have my daytimes free for auditions), then I used those daytime hours to write my first feature-length screenplay and apply for funding to help get it made, then I reinvigorated my training as an actor and got new headshots, then I had a few auditions followed by two more audition-barren weeks, and now I’m in training at a new new day/evening job and the auditions have started to pick up again.

In the meantime, I’ve taken a vacation (a concept which is nearly as foreign to me as the idea of celebrating a romantic anniversary, which I’ve also recently done), said goodbye to my cat (a beloved faithful companion of 14 years), dealt with a health issue or two (nothing awful, don’t worry), and had numerous extended family members pass away. So in many ways it feels like a turbulent time in my life.

When I expressed this recently to a friend, she said “Try and have patience. You’re likely coming through the other end now,” and “Longer transitions mean a greater impact when you land … I’d like to think.”

So would I.

I received another helpful insight from a social worker, who has suggested that I try being more compassionate with myself. I live my life by a set of unwavering standards, and I’ve always been able to fall back on my adherence to them even when those around me fall short. This has mostly served me well – except that I’m starting to wonder whether one of the lessons I’m meant to learn now is to let up on myself every now and then. To have a non-productive day without feeling bad about it. To treat myself with gifts once in awhile, the way I love to treat others. To congratulate myself for tries as well as actual wins. Because when I stop and think of all the reasons (excuses) I could’ve come up with to not write, not seek medical advice, not pay for classes and new headshots, not travel, and not go back into the Job Hunt Vortex … twice … all of those tries begin to look more and more like wins to me.

This is where I’m supposed to deliver an elegant finish; I don’t really have one. I guess I’ll just thank you for reading, and for sharing any of your own recent tries and wins that you’d like to let the world know about; and give thanks, of course, to my friends and fam who love me undoubtedly.

And thank you, Self. I’m proud of you.

xo

 

 

PS: For real, what are you reaching for right now? I’d love to know!

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Recap: The Big Birthday

Now that it’s May, I can look back at my most recent birthday, which was in early March.

Allow me to explain.

My birthday is on the 3rd, which means my champagne birthday happened when I was 3 and barely knew what “birthday” meant. Womp. Other significant birthdays ranged from very good (Sweet 16) to verrrry stressful (Quarter-Century), and overall the birthday to beat was March 3rd, 2014 (spent living it up in Dubai, shopping and fly boarding and going up the tallest building in the world). For my reverse champagne birthday (someone else can think of a cool name for it) I decided to go all out, celebrating 3 decades of life in 3 different countries over a span of 3 months.

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I already had my ticket for Trinidad Carnival, so I kicked off the celebrations there and you can read all about it in my last post.  I came back home and danced the night away at a fete with a few of my girlfriends, then released the trailer for my new webseries-to-be and released a radio single. I celebrated my actual birthday by leaving work early to go to 2 auditions before taking myself shopping.

Almost showtime!

Almost showtime!

The birthday fell on a Thursday; that weekend I got to see the Alvin Ailey Dance Theatre perform with the added bonus of watching it with my little cousin. This was our first show together! And she’s the same age I was when our Grandma took me to my first concert, which I think is awesome. There was a family dinner after that, and then I went to my curlfriend Nicole Stamp’s place to learn how to work natural hair magic like she does. I’ve been in love with my hair ever since. I got to show off my curls the next day at a delicious and hilarious brunch with a bunch of friends and cousins.

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Harlem Underground

Harlem Underground

The next weekend I was reshooting sections of my Digital Dossier, and then I had new headshots taken by Denise Grant. It did rain that day, which ruined my plans for my hair, but MUA Christine Cho waved her magic wand and the pictures look pretty damn good in my opinion ;-)

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I almost ran out of time to squeeze in my third country, but in April I went to New York City (where I hadn’t been since 2012, and where I definitely need to be more often). Just looking at Manhattan, or walking up and down the streets there, feels like celebrating to me. Even better that I got to spend time with friends I hadn’t seen in years. And I got some good buys in on the way home, tee-hee!

Haven't "seen" her since she was in her mom's belly!

Haven’t “seen” her since she was in her mom’s belly!

So I did it: celebrated in 3 countries, between the beginning of February and the end of April, and the good times keep rolling. Other things have added to my birthday celebrations over the 3-month time period: I left my day job, auditions have picked up, I’ve booked a play in Peterborough and one in Toronto for this summer, and I’m leaving for Haiti in a week!

Happy Birthday to me, and Dirty Thirty is looking exquisite so far . . .

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10 Goals, 12 Months – My Year-End Blog

So I’m back to the blog – and before I write anything else, let me alert you that this here post will make more sense if you’ve seen that there one first.

July seems like a crazy long time ago! But if you know me, you know I had to check back in on the aforementioned goals before closing out the year.

Remember, 2 out of my 10 goals for 2015 had already been completed by July 2nd: returning to Haïti with Third World Awareness for their 2015 trip, and being a model in the Carnival Nationz band launch.

1 out of the remaining 8 goals was already a Nope, since I did not make it to Las Vegas in May.

Now, what about the remaining 7?

I said I would book and complete at least 6 singing gigs this year; I’d done a handful by July 2nd, but 1 of them was unpaid; by now I’ve done 6 paid engagements.

Me with Jerome, one of my (singing) partners in crime who I met this year!

Me with Jerome, one of my (singing) partners in crime who I met this year!

Out of the 4 acting gigs I decided to book and complete this year, 1 was completed by the midway point . . . and although I’ve had auditions and callbacks since then, I haven’t actually booked any others. (Yet.)

How about those lofty financial goals? Will I celebrate my birthday by having zero remaining debt and playing mas in Trinidad Carnival? HELL YEAH!!! I’m officially debt-free, having eliminated more than $21,000 worth of debt in just under 3 years; I’ve already bought my plane ticket and I’m playing mas too! Stay tuned to my Instagram account for nufffff pictures…

Salamander, one of my early faves

Salamander, one of my early faves

My trip to New York? My friends bailed on me and I didn’t go.

My road trip? I didn’t organize anything in time; but there’s always next year.

My reintroduction into the world of dating? Well yeah, actually, that did happen. Next question =)

#datenight

#datenight

Re-qualifying for the first promotion of my network marketing business? Nope, I didn’t hit that goal. Keep nudging me for 2016, okay?

 

The final tally? 5 out of 10 of my 2015 goals were completed in 2015.

50%.

Half.

I’m not sure if that’s good or bad . . . if I got a 50% grade on any course I took I’d be furious about it . . . but then again, the point of personal goal-setting is to go big or go home. Right?

 

Anyway, time to take a look at the year ahead and figure out what I’ll be getting up to next. ;-)

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… unless I manage to complete another one in the next 5 days … hey, anything’s possible!

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Dubai recap – two months left!

Well hi!

130 days in Dubai … has everyone back home forgotten about me yet?  Haha!

With two more months til hometime, here are a few updates for the curious …

 

IMG_0144Our shows continue to go well, especially on Friday nights when we get to perform outside on the beach.  Here’s a clip from two Fridays ago – hopefully I’ll be able to share more with you soon!

instatrisseI now have an Instagram account, and I post new pics and/or videos every day, so you can peek in on the highs and lows of my #Dubailife =) Just follow @chattrisse

jan 30 2014Coming up next, I have my sights set on the Caribbean!  There is an incredible opportunity to spend July and August on the beautiful island of Tobago, and now that my video and bio are in, I need your help to get me there.  I’d be so grateful if you could take the time to “Like” the 60 Days in Paradise Facebook page and leave a comment about why Chattrisse Dolabaille should be the first-ever Island Connoisseur, and/or do the same thing on Twitter by mentioning @60daysparadise and @chattrisse and using the hashtag #60days … the Top Ten finalists will be announced on April 21st, and if I’m one of them I’ll need all the votes I can get to land the gig!

flyboard10Some of the experiences I’ve enjoyed here so far are camel riding, fly boarding (now that was a thrill), some shopping, lots of tanning, and even more peacock-watching.  Last week I posted ten more things that are on my to-do list … so far I’ve completed #9, booked #4 and #6, picked a tentative date for #2 and #5, and I hope to get #7 done this month as well …  stay tuned!

DSC07672And last but not least, I set a personal goal to write 50 new songs during this Dubai sojourn of mine; as of yesterday, I’m up to 37, planning to blow that goal out of the water.  Will I end up with 55?  60?  Time will tell …

 

All in all, I’m excited to go home, but I’m glad it isn’t time to go just yet.  Til next time!

Me, Taylor Evans and Jazz Testolini backstage at The Opera House. I adore singing with these two!

I really would love to be part of a group …

Remember doing group work in school?

Yeah. I couldn’t stand it. I felt like I was always the student who did more than her share of work because someone had to overcompensate for the people who weren’t motivated by good grades or high achievement. (And for the record, no, good grades aren’t everything. But in school, they’re the main measuring tool. I was usually upset to receive anything lower than 90%.)

So any time the idea of singing in a group came up, I was quick to dismiss it. I grew up LOVING vocal groups like TLC and Boyz II Men, and still do, but I couldn’t picture myself as a member of a group. Chattrisse, in my mind, was a solo act. A one-woman success story. My African name at the time was Zenzele, which translates to “she will do it herself,” and I really wasn’t looking for any company onstage. Having to deal with multiple egos and personalities, running the risk of becoming a backup performer while the lead singer hogs the spotlight, and then having to split the paycheque between two or three or five people on top of all that??? No thanks.

I guess back then I still believed that you could do big, huge, world-shaking, record-breakingly awesome things on your own. And the further away I get from my school years and their haunting memories of “group” “work,” the more I realize that having a team not only makes most goals more easily attainable, it also lets you have way more fun along the way.

For example, I did a theatre tour earlier this year with two fellow cast members, and the energy we brought to the stage when all three of us were “on” was awesome. The backstage hijinks were also way more fun than if I were just noticing something funny with no one to share it with. And when one of us was feeling sick or extra tired, there were two other people there who could lend extra support. (Shoutout to Madeleine Jullian and Phil Poirier, I had a blast!)

Madeleine/Mollie, Chattrisse/Puppareena, Phil/Twitter - our last show

Madeleine/Mollie, Chattrisse/Puppareena, Phil/Twitter – our last show

Have you ever danced a solo? I’m still slightly terrified of that (working on it). But dancing that same piece with two other performers feels wicked! And honestly, as a singer, one of the best sounds in the world is your voice harmonizing with other voices.

So while I haven’t completely changed my mind about being in a group … for example, I’m not seeking group members and if I were I would try to create something where all the performers share the spotlight, taking turns singing lead on different singles … I’m not totally opposed to it anymore. It might be fun. It might be a ton of fun. And if it doesn’t work out, leaving a group has been a great launch to a solo career for lots of people.  ;-)

Oh, I almost forgot: the picture up top is of me, Taylor Evans and Jazz Testolini backstage at The Opera House. I adore singing with these two! I don’t know how long we’d last as a group though, lol! xoxo