Tag Archives: artist

Tired, and thrilled about it

I promised myself a long time ago that I wouldn’t complain when my life finally reached the point where I was tired at the end of a day from doing things I love.

I think that point is here.

For details, may I recommend signing up to receive my monthly newsletter; right now, since I’ve really got to crash, here’s a quick explanation of why I am currently tired.

I was up past 2am for a short-notice self-tape, then had a great meeting at 10:30am and worked an 8.5-hour shift, during which I learned that I have an audition tomorrow afternoon shortly after a pitch session beginning at 11 tomorrow morning, before which I’m hoping to squeeze in a jog and make my hair and makeup look great and pick up a thank-you gift for someone. After the audition, maybe I can work a half-day (this job, while I’m on the topic, is so flexible when it comes to gigs and auditions and has helped me tremendously with my pitching skills); if not, I might even be able to nap (whoa!) before watching a friend of mine in a play which was created in part by another friend of mine.

When I flip to next week in my dayplanner, I see the North American premiere of my most recent short film, some dedicated writing time, and at least one opportunity to use currently held talents in a new and exciting arena.

None of this is to say that I’m tired because I get everything done; I actually missed a blog this summer (even though publishing a post once a month should be super-easy), I won’t spend any time today on a new screenplay even though I’ve been pretty disciplined about working on that consistently so far, I’m weeks behind on a bunch of emails, and my room hasn’t been fully clean in the longest time. But what kind of fool would I be if I spent all my time stressing over those things instead of being glad for the important ones up top?

As we head into the final sixth of the year 2019, I truly hope you’re happy with what you’re doing now, or what you’ll be doing soon, or both.

Rest up. We’re all going to need it.

<3

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Oh, what a night . . . (lucky for you there are two more!)

You guys.

I am tired, footsore, slightly throatsore, and so deeply happy. (I know the pic doesn’t look like it, but we can go ahead and blame that on pre-show nerves.)

A few hours ago, I was performing in front of a live theatre audience for the first time in years. Though my songs and my scene were far from perfect, I’m extremely proud of what the cast and crew were able to pull off, grateful for the energy we received from the patrons, and excited to do it again three more times in the next 48 hours – phew!!

I’m yawning as I type  . . . and I’ve got an important audition tomorrow before reporting to the theatre . . . and it’ll take some time to redo my hair after my morning jog . . . so I’m going to sign off real soon! But let me make sure you have all the details you need before I go.

The show, presented by High Society Cabaret, is called The Silent Goodbye. As my burlesque alter ego, Isla Caine, I play an ambitious jazz singer named Lovey St Claire whose boss is the John Doe in a murder mystery set in 1930s Chicago. Not just for Lovey, but for the entire cast, this is a show full of wonderful characters and costumes, great music, and a surprising amount of emotional highs and lows as well as lots of laughs.

We’re at The Commons, 587A College St (upstairs) in Little Italy, across the street from Café Diplomatico. Tickets are $35 in advance or $45 if you pay at the door, and arts workers as well as sex workers may be able to take advantage of special pricing so contact me if you belong to either of those categories. You can click here to order your tickets for Friday May 24th at 8pm, Friday the 24th at 10:30pm, or Saturday May 25th at 8pm (almost sold out). Please do me a favour and answer, when asked, that you found out about the show from me, Chattrisse! =)

Here’s a sneak peek from rehearsal . . . now claim your ticket and come see the real deal! ;-)

*goes to bed, finally*

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Reflections on a Very Artsy Weekend

Wow.

This past week was super-tiring. The week coming up will probably be equally tiring, for different reasons. So I’m proud and gratified that I made/took/created time for a variety of artistic pursuits in between, especially in the last 48 hours or so.

Friday night I came home from work and watched one of my fave films with Dad: The Devil Wears Prada. It’s so well-done, and it’s held up really nicely over time (can you believe it’s 13 years old?!), and since I’ve only watched clips of it lately (thank you, Lessons from the Screenplay; thank you, Dylan is in Trouble) it felt good to take the whole thing in.

Saturday I spent basically the entire day at the Canadian Film Fest, which is such a fun, well-organized event that I’m astonished I’ve never been to it until this year! Over the three screenings I attended I was able to watch 20 short films and a feature, projects that some of my friends and acquaintances were part of won awards, and neither my tiredness (nor my bummed-out-ness at not having won the $10,000 prize I was hoping for as one of the Top Ten Semifinalists for their Script Contest) were enough to keep me from the afterparty, which I THOROUGHLY enjoyed. (That’s in all caps because it’s surprising; normally I’m super awkward or even bored at industry parties.) My boyfriend and I had some great conversations, only about half of which concerned filmmaking and storytelling and art, and I was reminded that I’m still on the right track even when I don’t feel like I am — plus, I was inspired to add a new tidbit to that same Top Ten screenplay.

Right before I left for church this morning, a neighbour of mine tipped me off that today is the last day to see Femmes Noires, the stirring Mickalene Thomas exhibit at the AGO. I made my way there after services despite the dozen tasks already in my dayplanner, and I’m so deeply glad that I did. Femmes Noires reminded me that it’s really easy to overlook the celebration of black women’s bodies and the amplification of our voices unless you immerse yourself in work like this once in awhile — because our bodies are so often exposed and our voices routinely caricaturized. These are actually themes which show up in that same screenplay as well, so the timing of this visit was perfect. Also, out of the kindness of his heart and without me even asking, the gentleman who greeted me at the desk gave me a complimentary ticket! So I was smiling even before I checked my coat, and was happy to do a bit of shopping in the gift store on my way out. ;-)

I did just a little bit of writing a few hours later, adding to some thoughts on a new project which I’ll write either for TV or for film. And finally, though certainly not least,  literary art has been a big part of my weekend, as I’ve been keeping a promise I made to myself that I’ll read at least a few pages of a book (yes, it has to be paper held in my hands) every day. The Handmaid’s Tale has been getting most of my reading attention lately. So, from commercial film to indie film and indie filmmaking to visual (and audiovisual) art to the literary arts, I feel like I’ve really listened to that part of me who’s always asking to be immersed in the artistic world(s) this weekend. I might even carve out the time to play some piano before calling it a night.

And maybe all of that will make the upcoming week, which so far looks decidedly non-artsy, a little easier to handle.

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Look. Forward.

You know that cliché about how you should do something that scares you once a day? Well, I’m counting on the fact that not many people read my blog to make this less scary for me. =)

Goals are important, and they’re (sometimes) more powerful if written down and/or shared with others, and I recently laid out nine career goals for myself to accomplish in 2019. I’m not sharing all of them here because being brave and being flighty are two different things . . . one or two of these goals would be unprofessional of me to talk about on social media, and a couple others are the types of things I’d rather play close to the chest . . . but hey, I’ll give you three!

1) In 2019 I will book (at least) 3 gigs requiring me to sing.

Last April I sang in a burlesque show and was all excited to be returning to the stage as a singer . . . yet I haven’t done it since then. I’m grateful for some other things have come up which I didn’t know about back in springtime, but I was a singer long before I was an actor and it’s time to stop ignoring that. (I began writing this on December 30th, which is the 5th day of Kwanzaa, and its principle is Nia which means purpose . . . noted.)

2) In 2019 I will book (at least) 2 gigs requiring me to act.

Does that seem low? To be perfect honest with you, I’m alright with that. As hinted above, I need to push myself back toward music more, and I’ve got a team and system set up for Chattrisse the actor which Chattrisse the singer doesn’t really have at the moment – so lowballing this one doesn’t bother me. (Besides, I said “at least” . . . so yeah.)

3) In 2019 I will book (at least) 1 gig requiring me to dance.

I haven’t had what I consider to be the full use of my body for two and a half years now, due to some lingering shoulder issues. At one memorable dance audition, I made these shoulder issues worse, and I’ve been very very timid about dancing since then. By now, I’m happy to report that my shoulder is really really close to being back to normal – it’s fine for almost every regular daily task – so it’s time for me to stop using that excuse.

There can be some overlap between these goals – I hope there is! Let’s just say I were to book a musical theatre job, like Memphis or Hamilton or The Lion King – I would be acting and singing and dancing, and that counts for all three categories. There might also be overlap between those three and . . .

4) In 2019 I will acquire (at least) 6 new credits as a writer.

Having shared that one with you, I’m actually feeling nervous, which is next door to scared. And to be clear, I’m including the word “credits” because I write stuff all the time, but I’m now talking about things I write which are actually seen/heard/experienced in some sort of public performance or exhibition. Although I don’t know whether something I’ve written in 2018 which is finished and released in 2019 will count for my 2019 total, I do know that I want to write more successful projects: films, songs, web, maybe TV or a published book, I want to write it all. I’ve actually – don’t laugh – started writing my memoirs, because I figure it’s a timesaver (and I’ll remember things better now than when I’m 97 anyway).

And since I’ve gone and spilled the beans on that one, I’ll throw in another bonus shared goal.

5) In 2019 I will write (at least) one spec script.

I’m terrified of having to do this – the idea of writing a script for a make-believe episode of a show which already exists and having to remain consistent with the tone of that show and the voices of its characters really freaks me out. But I’ve been avoiding it for years and it’s time to put on my big-girl-writer hat and get it done.

Okay, enough! Those of you who wish me well, please cheer me on as I go after these goals and others; those of you who I wish well, you know I’m already sending you I-believe-in-you-now-go-get-em thoughts and looking forward to seeing you rise and shine. Those of you who don’t wish me well, how nice of you to stick around! I hope you have a nice day anyway =)

Thanks for reading, everyone . . . and Happy New Year!

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What’s My “What’s My Line?”?

How’s that for an awkward-looking title?

Over the years, I’ve become very familiar with a group of folks who, although certainly famous in their day, probably aren’t well-known to anyone in my age group. Their banter was charming and laden with humour from the 1950s and 1960s – and while there are, naturally, many cringeworthy moments (which you could easily anticipate, as a socially conscious twenty-first-century viewer digging in the mid-twentieth-century crates), I love that they were quick to laugh at their own on-air mistakes, and some of my favourite moments to watch them in were thoroughly unscripted. Their names are Dorothy Kilgallen, Arlene Francis, Bennet Cerf, and John Daly – they were the primary panellists and the host, respectively, of the show “What’s My Line?” which Wikipedia tells me is the longest-running US primetime network television game show.

Here’s the thing: even though I’ve probably watched (or at least heard) hundreds of episodes, if it weren’t for the obligatory introductions at the beginning of each one I wouldn’t know much about the occupations of these four people, outside the show. Most of them, probably, first arrived on set seeing this show as either a new thing they hoped would go well, or a fun side gig, or maybe both; but I only know them as participants in this specific project.

I doubt any of them could have told you at the beginning that this would be the thing they were best known for forever after.

And that’s naturally got me thinking … what’s my personal version of this show? Is there something I’m involved in (or will be later) which will eventually overshadow everything else I’ve done, or will do? I’m very well aware that this is a case where knowing the answer would negate or ruin the question, but it’s an interesting thing to ponder just the same.

Although I see myself as a writer first and foremost; I doubt the rest of the world agrees with me so far, since so much of my career has been spent performing. Maybe, in a hundred years when I’m not physically here, I’ll be better known for something else entirely aside from arts and entertainment. Maybe the beginning of the 2118-version-of-Wikipedia entry about me will talk about my humanitarian work, or the awesome people I’ve helped to raise, or my abduction by and eventual return from a group of alien nomads who needed a human guinea pig. I don’t know at this point, and I shouldn’t know. And neither should any of us.

What I am sure of is that being aware of this question takes a huge amount of pressure off of me, and maybe you’ll feel the same way. All we can do right now is work on what we’re already working on, begin work on what we want to begin, and stay open to opportunities.

So I’ll continue to get more comfortable with having no idea what my “What’s My Line?” is, or is going to be. And with that … if you’ll excuse me, I’ve got some more writing to get back to. Because even if my writing does happen to be forgotten one day, that’s no excuse to slack off now ;-)

On set for a Divine Brown video shoot ... the first time I was ever paid to dance ;-)

Five-Year Flashback …

… Dancer Chattrisse is still a baby compared to the other Chattrisse listed in this old post, which you should absolutely go back and read so you know what on earth I’m talking about. (That pic represents the first time I was considered a professional [read: paid] dancer … ah, memories.)

That post was the first thing I ever blogged here, and this Wednesday it will be five years old — that’s crazy! Thanks, internet, for hanging in there with me while I learned to blog, and did it regularly, and stopped doing it, and got back on the wagon again.

Huh. Kind of like dance, interestingly … as some of you know, I injured my shoulder in spring 2016 and due to a condition that developed during the healing process, it’s still not back to 100%, and due to this, I’ve been doing significantly less dancing since 2016 than I would like. (One of the many reasons I love this video is that it was filmed mere days before the original shoulder injury; I still don’t have my full range of motion back, but at least I can admire what I looked like when I’d never considered losing it!)

So I’m taking a moment to look back and congratulate myself. For being transparent and for finding a new way of sharing my thoughts five years ago, for learning to be patient with my body during the last two years, and for how much better I will be two and five years from now.

Just for fun, what were you doing five years ago? And how does it relate to what you’re doing today?

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Introducing . . . Isla Caine (Chattrisse does burlesque!)

Last fall, I saw a dear friend of mine (Cassidy) perform in a fabulous burlesque show created by another friend of mine (Knox). Many people think of burlesque as just a bunch of hot women taking their clothes off in front of a sleazy crowd and not much else, right? Not on Knox’s watch — this was a full-scale production with a plot, period costumes and props, music, interesting characters, incredible dancing and choreography and singing, and both women and men of diverse appearances — including body types — performing burlesque for a warm and responsive audience. I stood around afterward, talking to one or two dancers who’d performed for Knox before, and said that I was going to try out for one of her shows in 2018.

Necessary background info:

(1) I am a lifelong singer; I’ve been singing at home since forever and in public since I was six years old, although

(2) I still battle with shyness, and feel that none of my public performances have ever been as good as what I manage to pull off vocally when I’m alone at home

(3) For almost as long as I’ve been singing in public, I’ve been very self-conscious about my body, and this has been exacerbated by the fact that

(4) For nearly two full years, I’ve been recovering from a shoulder injury (really, two of them) and this has led to a deepening of my disappointment in, and disdain toward, my own body

(5) In addition to a slump in my dancing, it’s been quite awhile since I was onstage singing. Except for a guest spot in a Chris Birkett show last October, it honestly may be over a year now — I literally don’t remember.

And finally, (6) I am a born-again Christian who still many questions about reconciling God’s love, my gratitude for innumerable miracles including our own bodies, and the shame that many Western people, particularly women, are programmed to experience when we discuss or display our sexuality.

Where am I going with all this? Well, even though I had plenty of reasons to simply disregard my stated goal of auditioning for a burlesque show, I decided that they all boiled down to one: fear. I pulled that fear out of my head and held it in my hand, where I could get a good look at it and remind myself how much bigger than it I am and always will be. I weighed all six of the points listed above, and decided to go through with the audition. With Knox’s help, I created a new act starring a new character: Isla Caine.

“Isla” can be either “EESS-lah” (Spanish pronunciation) or “EYE-lah” (English pronunciation), depending on where she is and who she’s talking to . . . because if you know me personally, you know that my most-used skills throughout life have probably been reading, writing, speaking, and code-switching. “Caine” is mostly a nod to sugar cane, since I’m Caribbean and I can be very sweet. Isla Caine emphasizes some of the realest parts of Chattrisse. She has a soothing voice. You see her commanding personality when it comes to getting things done. She’s willing to appreciate her curves even if they aren’t all in the places where she’d like them to be yet. And in terms of fashion, the vibe she gives you is made up of Miranda Priestley (Meryl Streep’s character in The Devil Wears Prada), Michael Jackson’s Smooth Criminal ensemble, and a deep appreciation for jewel tones.

So I did it! On April 12th, I took the stage at Revival in a white suit over a black blouse, with smouldering eye makeup and a bright red lip. My hair was coiled into a bun and I wore my real-life oversized glasses. Before an audience of friends and cousins (but mostly strangers), I sang Diana Krall’s version of “Peel Me a Grape” while removing my blazer, blouse, pants, and elbow gloves. By the time I sashayed off the stage in my stilettos with my hair swinging back and forth across my shoulder blades, I was wearing only my matching aubergine bra and panties. And for once, no doubt because I was singing into a beautifully restored antique microphone, my voice sounded far better floating through the venue than it did it any of my at-home rehearsals.

Even before I was hugged by my people in the audience, or checked my phone to see a congratulatory message from a friend in Vancouver which contained a video clip of me onstage mere minutes earlier, or saw any of the pics or footage, I felt so good. I was so proud of myself for facing off against my nerves and fear and insecurities, and the feeling kept growing as I proudly watched Gin Kelly, another first-timer who I know from the world of acting, wow the crowd. Cassidy, who’s a pro at this, absolutely killed her set too. From what I was able to see, every woman and man who took the stage did themselves proud, and it felt incredible to be in the ring with them instead of watching from the sidelines.

On a very real level, if you aren’t learning you aren’t growing. One of my guiding principles (especially for this transition period I seem to still be in) is to keep learning, no matter what; otherwise I’ll have gone through an entire new season and have no growth to show for it. Creating and debuting Isla Caine has certainly taught and tested me, and while I haven’t decided yet how soon (or whether) I’ll bring her back out again, I’m truly glad to meet her and get to know myself a little better at the same time.

Thanks to Knox, Cassidy and all of the other Viva Italia performers, my family and friends who came, the sound guy whose name I forget right now but he’s super-cool, and to Hollywood Jade whose years of Urbanesque dance classes have helped me more than he knows.

Thanks also to photographer Ruth Gillson for the wonderful images! Speakeasy at Revival is a monthly event at 783 College St here in Toronto and if you’re looking for a fear to conquer, you may want to get in touch and ask to audition. Either way, check out one of their shows; I think you’ll be glad you did!

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xo

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What’s this season called?

I’m in a transition phase in my life … which is starting to sound kind of funny to me since I’ve been saying that for more than six months now. First it was time to leave my full-time day job, then I switched into a part-time evening one, then I had an audition drought (which was pretty annoying, since the job change had been prompted in part by my desire to have my daytimes free for auditions), then I used those daytime hours to write my first feature-length screenplay and apply for funding to help get it made, then I reinvigorated my training as an actor and got new headshots, then I had a few auditions followed by two more audition-barren weeks, and now I’m in training at a new new day/evening job and the auditions have started to pick up again.

In the meantime, I’ve taken a vacation (a concept which is nearly as foreign to me as the idea of celebrating a romantic anniversary, which I’ve also recently done), said goodbye to my cat (a beloved faithful companion of 14 years), dealt with a health issue or two (nothing awful, don’t worry), and had numerous extended family members pass away. So in many ways it feels like a turbulent time in my life.

When I expressed this recently to a friend, she said “Try and have patience. You’re likely coming through the other end now,” and “Longer transitions mean a greater impact when you land … I’d like to think.”

So would I.

I received another helpful insight from a social worker, who has suggested that I try being more compassionate with myself. I live my life by a set of unwavering standards, and I’ve always been able to fall back on my adherence to them even when those around me fall short. This has mostly served me well – except that I’m starting to wonder whether one of the lessons I’m meant to learn now is to let up on myself every now and then. To have a non-productive day without feeling bad about it. To treat myself with gifts once in awhile, the way I love to treat others. To congratulate myself for tries as well as actual wins. Because when I stop and think of all the reasons (excuses) I could’ve come up with to not write, not seek medical advice, not pay for classes and new headshots, not travel, and not go back into the Job Hunt Vortex … twice … all of those tries begin to look more and more like wins to me.

This is where I’m supposed to deliver an elegant finish; I don’t really have one. I guess I’ll just thank you for reading, and for sharing any of your own recent tries and wins that you’d like to let the world know about; and give thanks, of course, to my friends and fam who love me undoubtedly.

And thank you, Self. I’m proud of you.

xo

 

 

PS: For real, what are you reaching for right now? I’d love to know!

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Recap: The Big Birthday

Now that it’s May, I can look back at my most recent birthday, which was in early March.

Allow me to explain.

My birthday is on the 3rd, which means my champagne birthday happened when I was 3 and barely knew what “birthday” meant. Womp. Other significant birthdays ranged from very good (Sweet 16) to verrrry stressful (Quarter-Century), and overall the birthday to beat was March 3rd, 2014 (spent living it up in Dubai, shopping and fly boarding and going up the tallest building in the world). For my reverse champagne birthday (someone else can think of a cool name for it) I decided to go all out, celebrating 3 decades of life in 3 different countries over a span of 3 months.

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I already had my ticket for Trinidad Carnival, so I kicked off the celebrations there and you can read all about it in my last post.  I came back home and danced the night away at a fete with a few of my girlfriends, then released the trailer for my new webseries-to-be and released a radio single. I celebrated my actual birthday by leaving work early to go to 2 auditions before taking myself shopping.

Almost showtime!

Almost showtime!

The birthday fell on a Thursday; that weekend I got to see the Alvin Ailey Dance Theatre perform with the added bonus of watching it with my little cousin. This was our first show together! And she’s the same age I was when our Grandma took me to my first concert, which I think is awesome. There was a family dinner after that, and then I went to my curlfriend Nicole Stamp’s place to learn how to work natural hair magic like she does. I’ve been in love with my hair ever since. I got to show off my curls the next day at a delicious and hilarious brunch with a bunch of friends and cousins.

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Harlem Underground

Harlem Underground

The next weekend I was reshooting sections of my Digital Dossier, and then I had new headshots taken by Denise Grant. It did rain that day, which ruined my plans for my hair, but MUA Christine Cho waved her magic wand and the pictures look pretty damn good in my opinion ;-)

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I almost ran out of time to squeeze in my third country, but in April I went to New York City (where I hadn’t been since 2012, and where I definitely need to be more often). Just looking at Manhattan, or walking up and down the streets there, feels like celebrating to me. Even better that I got to spend time with friends I hadn’t seen in years. And I got some good buys in on the way home, tee-hee!

Haven't "seen" her since she was in her mom's belly!

Haven’t “seen” her since she was in her mom’s belly!

So I did it: celebrated in 3 countries, between the beginning of February and the end of April, and the good times keep rolling. Other things have added to my birthday celebrations over the 3-month time period: I left my day job, auditions have picked up, I’ve booked a play in Peterborough and one in Toronto for this summer, and I’m leaving for Haiti in a week!

Happy Birthday to me, and Dirty Thirty is looking exquisite so far . . .

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10 Goals, 12 Months – My Year-End Blog

So I’m back to the blog – and before I write anything else, let me alert you that this here post will make more sense if you’ve seen that there one first.

July seems like a crazy long time ago! But if you know me, you know I had to check back in on the aforementioned goals before closing out the year.

Remember, 2 out of my 10 goals for 2015 had already been completed by July 2nd: returning to Haïti with Third World Awareness for their 2015 trip, and being a model in the Carnival Nationz band launch.

1 out of the remaining 8 goals was already a Nope, since I did not make it to Las Vegas in May.

Now, what about the remaining 7?

I said I would book and complete at least 6 singing gigs this year; I’d done a handful by July 2nd, but 1 of them was unpaid; by now I’ve done 6 paid engagements.

Me with Jerome, one of my (singing) partners in crime who I met this year!

Me with Jerome, one of my (singing) partners in crime who I met this year!

Out of the 4 acting gigs I decided to book and complete this year, 1 was completed by the midway point . . . and although I’ve had auditions and callbacks since then, I haven’t actually booked any others. (Yet.)

How about those lofty financial goals? Will I celebrate my birthday by having zero remaining debt and playing mas in Trinidad Carnival? HELL YEAH!!! I’m officially debt-free, having eliminated more than $21,000 worth of debt in just under 3 years; I’ve already bought my plane ticket and I’m playing mas too! Stay tuned to my Instagram account for nufffff pictures…

Salamander, one of my early faves

Salamander, one of my early faves

My trip to New York? My friends bailed on me and I didn’t go.

My road trip? I didn’t organize anything in time; but there’s always next year.

My reintroduction into the world of dating? Well yeah, actually, that did happen. Next question =)

#datenight

#datenight

Re-qualifying for the first promotion of my network marketing business? Nope, I didn’t hit that goal. Keep nudging me for 2016, okay?

 

The final tally? 5 out of 10 of my 2015 goals were completed in 2015.

50%.

Half.

I’m not sure if that’s good or bad . . . if I got a 50% grade on any course I took I’d be furious about it . . . but then again, the point of personal goal-setting is to go big or go home. Right?

 

Anyway, time to take a look at the year ahead and figure out what I’ll be getting up to next. ;-)

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… unless I manage to complete another one in the next 5 days … hey, anything’s possible!